Description
Designed in 1974 by the famous architect and designer Carlo Scarpa for Simon, this table is an exemplary work of his design approach, which combines formal rigor, excellent craftsmanship and a profound sense of material. The structure is made of satin-finish drawn metal, with visible burnished screws that underline the technical aesthetics of the project. The feet supporting the top are made of brass, demonstrating the attention to detail and functional elegance. The top, in very thick glass (15 mm), has a rectangular shape and rests lightly and precisely on the structure, creating a refined balance between full and empty. The designer's creations stand out for their skilful use of light, materials and construction details, which transform each object into a narrative microcosm. Bibliography: F. Dal Col, G. Mazzariol, Carlo Scarpa 1906 – 1978, pp. 186–187, Electa, 1984.
Shipping service
We only use professional couriers carefully selected based on the size, weight / volume and fragility of the product. All shipments are insured, we coordinate both collection and delivery by providing dedicated assistance throughout the entire process. Shipping is standard and does not include delivery to the floor. Do you want delivery to the floor?
In August shipping may be delayed due to summer season.
Refund Policy
This product comes from a selected shop, you can exercise your right to a refund within 14 days of delivery . If the product is delivered damaged or does not conform to the product sheet, it is possible to open a claim.
DISCOVER MOREDescription
Designed in 1974 by the famous architect and designer Carlo Scarpa for Simon, this table is an exemplary work of his design approach, which combines formal rigor, excellent craftsmanship and a profound sense of material. The structure is made of satin-finish drawn metal, with visible burnished screws that underline the technical aesthetics of the project. The feet supporting the top are made of brass, demonstrating the attention to detail and functional elegance. The top, in very thick glass (15 mm), has a rectangular shape and rests lightly and precisely on the structure, creating a refined balance between full and empty. The designer's creations stand out for their skilful use of light, materials and construction details, which transform each object into a narrative microcosm. Bibliography: F. Dal Col, G. Mazzariol, Carlo Scarpa 1906 – 1978, pp. 186–187, Electa, 1984.
